Performing theoretical-artistic activism :::::::

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Editors: Bojan Đorđev, in collaboration with te Boxing match project team

 

CONTENT 

 

CROSS: Boxing Match: Ready-made theatre

Boxing Match project team: About Boxing Match:Ready-made theatre

Bojan Djordjev (ed.): Record of a Working Discussion

Siniša Ilić, Marta Popivoda (ed.): Record of Dramaturgy Training

Jelena Knežević, Ana Vujanović (ed.): Box Match –Post Festum; Record of a closing discussion

Jelena Knežević: Producer’s Report

Marta Popivoda: Ready-made at Film: Documentary, re-appropriation, contamination (researcher’s notes)

Bojan Djordjev: On Theatre and Ready-made: Associative sequence (researcher’s notes)

Ana Vujanović: Institution, Spectatorship, and Language Games at/by Theatre: Case of Boxing Match (researcher’s notes)

Vida Knežević and Ana Vilenica: Boxing Match (a conversation)

 

UPPERCUT: Theory at Work

Bojan Djordjev, Ana Vujanović: Ready-made in Performing Arts of the 1990s and 2000s: A register, with some explanations

TkH: SMS Guerrilla

Bojan Djordjev, Siniša Ilić, Ana Vujanović: SMS Guerrilla (documentation)

Ana Vujanović: SMS Guerrilla, As/or re-thinking proper(/rietary) relations in the space of art and culture in the age of post-socialism

Goran Sergej Pristaš: Man.Chair (notes)

Simona Semenič: Flying over the Cuckoo’s Nest (ready-made play)

 

KNOCKOUT: Theory

Bojana Cvejić: Appropriations; A short glossary of terms for the various procedures of appropriation developed in the recent practices of choreography and performance

Marina Gržinić: How to Literally Dance with Words:Pichet Klunchun and Jérôme Bel

Miško Šuvaković: Contradictions: Duchamp, Cravan, Gould, Beuys, Bel

Ana Vujanović: Limbo Limbo Art: Ready-made theatre

 

 

The issue is available only in Serbian version.