THEORY
- TkH: Walking Theory (manifesto) | published in TkH no 1.
- Miško Šuvaković: Technologies of Performing in Performance Art | published in TkH no. 5
- Bojana Cvejić: The Way to Make Something Yours Is That You Fuck It Up By Giving It Your Body; Powered by Emotion, medium specificity or situation? | published in TkH no. 5
- Ana Vujanović: Whither Cyberformance?; Notes on net-theatre as a symptomatic theatre practice | published in TkH no. 7
- Ivana Stamatović: Dramaturgical Function of Koštana’s Singing in Petrar Konjović’s Opera | published in TkH no. 3
- Jelena Novak: Matrix in Opera | published in TkH no. 2
- Nevena Daković: (A) Land (in the) South/Southeast | published in TkH no. 9
- Aleksandra Jovićević: From the Über-Marionette to Neuromancer; A brief review of the deployment and development of technology in the 20th-century theatre | published in TkH no. 7
- Bojan Djordjev: Avant-garde Cuisine: Recipes for Works of Art | published in TkH no. 8
- Nikolina Bujas-Pristaš, Bojana Cvejić, Ana Vujanović: Choreography in Process: Nikolina Bujas-Pristaš (discussion) | published in TkH no. 4
WORKING THEORY
- Siniša Ilić: In Search of Lost Guilt | published in TkH no. 7
- Maja Pelević: Cyberchick vs. Real Time | published in TkH no. 7
- Maja Mirković: XEROX – Cloning of an Ideal Body | published in TkH no. 6
DISCUSSIONS
- Bojana Cvejić, Ana Vujanović: The Open Work – Does it Deserve Theory Today? | published in TkH no. 9
APPENDIX
- TkH 01-10: Contents
