THEORY: DIGITAL PERFORMANCE – THEORETICAL NETWORKING

• Miško Šuvaković: Becoming Machine; From theory to philosophy of digital art, theatre and performance … and back
• Aleksandra Jovićević: From the Über-Marionette to Neuromancer; A brief review of the deployment and development of technology in the 20th-century theatre
• Bojana Kunst: Wireless Connections: Attraction, Emotions, Politics | trans. Vesna Perić
• Ana Vujanović: Internet Theatre - A Tiger’s Leap into (Theatre) History
• Marina Gržinić: Technology, Performativity: Time of Theatre | trans. Maja Pelević
• Jelena Novak: Opera in the Age of its Electronic/Digital Reproduction
• Kurt Vanhoutte: Prosthetic Gods | trans. Jelena Janković
• Helen Varley Jameison, Tanja Marković: X (Body + Avatar) = Cyberformance; X = Collision? (discussion)
• Igor Štromajer, Ana Vujanović: Love Without Mercy (discussion)

TRANSLATIONS

• Jacques Derrida: Salve (Post-Scriptum at a Bad Timeing, Due to Final Polishing) | trans. Sanja Milutinović Bojanić
• Mladen Dolar: If Music Be Food of Love... (3) | trans. Tatjana Marković

WORKING THEORY: SCREEN AS SCENE

• Bojan Djordjev: Introduction
• Sanja Milutinović Bojanić, Michael Joyce: One more Trap. In Place of Performance the Code of Performance
• Auracle Creative Team: Dossier Auracle; and Chandrasekhar Ramakrishnan: What did Computer Teach me about Epistemology | trans. Bojan Djordjev
• Claudia Hardi: James Kibo Parry & Associates – an Internet Travelogue
• Maja Pelević: Cyberchick VS. Real Time
• Jill Walker: Recension: Or Press Escape, Edit Kaldor | trans. Bojan Djordjev
• Bojan Djordjev, Aleksandra Jovanić, Ana Vujanović: Dossier of Digital Theatre Project Psychosis and Death of the Author – Algorithm: YU03/04.13
• Siniša Ilić, Ana Vujanović: In Search of the Lost Guilt

DISCUSSIONS: PHILOSOPHY – THEATRE –THEORY: NOW!

• Ana Vujanović, Miško Šuvaković: On 37th BITEF Symposium
• Jovan Ćirilov: Lucky, Think! (introduction)
• Nikolay Goranov Iordanov: Postmodern Theatricality | trans. Vlatko Ilić
• Nenad Prokić: Big Factories Served for Nothing
• Nadežda Čačinović: Spectacle and Fiction
• Miško Šuvaković: Controversies Around Philosophy, Theatre and Theory of Culture
• Bojana Kunst: Strategies of Self-performance: on Self and Contemporary Performance | trans. Ana Vujanović
• Novica Milić: Dramatisation as Method (Nietzsche Directs Plato)
• Aleksandra Jovićević: The Latest Thing on Brecht; Brecht against brechtology, notions of naïvety and travesty
• Bojana Cvejić: Theory in Contemporary Dance; Monstration of event in place of good subject of dance
• Ana Vujanović: On Transition from Philosophy to Theory, on Uncertain Relations of Theatre and Theory, and on Enjoying and Fear of Performing in Philosophy, Theatre and Theory

The issue is available only in Serbian version.