• Ana Vujanović: Dogma 05 – Film as Performance

THEORY: FIM AS PERFORMANCE

• Miško Šuvaković: Performing Hybrid Effects of Theory through Film: Non-transparent contrasts, incidental shadows and uncertain promises
• Nevena Daković: (A) Land (in the) South/Southeast
• Marina Gržinić: Shaping and Challenging (Documentary) Meaning in Artwork | trans. Tatjana Orbović
• Djordje Bajić: Dogma 95: Film Acting and Performing
• Vesna Perić: Performing Sex and Gender in Film; High priestess of the cyber Pantheon
• Bojana Kunst: Virtual Political Parliament | trans. Vesna Perić, Vlatko Ilić
• Saša Radojević: State Film South Southeast
• Marina Gržinić, Ana Vujanović: “It’s not Red, it’s Blood!” (discussion)

VISIT TO THEORETICAL BLOCK

• Rufo Caballero: Narration and the Future of Cinema | trans. Miljana Perić

WORKING THEORY

• Miško Šuvaković, Ana Vujanović: Gazes of(for) RB
• Marta Popivoda: Proposition for Work X 1 – 7
• Aleksander Bender: Story and Requests for Subjectivity, and Siniša Ilić: Other Version
• Maja Pelević: Post-script for a Short Film about the Mute Woman.doc
• Maja Mirković: On Film and Falling in Love

DISCUSSIONS

• Bojana Cvejić, Ana Vujanović: Open Work – Does it Deserve Theory Today?

CRITIQUE

• Bojan Djordjev: Belgrade + Regional Dance and Theatre Scene 2004/05 (introduction)
• Maja Mirković: PRO TOOLS: Contemporary dance, today, Europe (see under: choreography)
• Irena Šentevska: Who will Knead Fog and Clouds into Hamburger? (New repertory politics of little theatre “Duško Radović”)
• Anja Suša: From Obsession to Need. And Back. Few Sweaty T-shirts by Dušan Murić
• Marija Skoko: Next Step – The Step Closer; Every similarity to real people and events is intentional…
• Marta Popivoda: 00 tableau Critic: Actress (Work) in Progress
• Bojan Djordjev: ‘Realisms’ against ‘Realism’; Three directions by Anja Suša
• Miloš Lolić: Text Means Fabric (About/post/dramas of Katarina Zdjelar)
• Vlatko Ilić: Slam Excess of the Bogavac Sisters; Theatre: TRUE or FALSE
• Ana Vujanović (ed): Programme of International Contemporary Dance Workshops in 4 Steps

VISIT TO THE CRITIQUES

• Andrej Mirčev: Polyphonic Bodies of Voices (On erotics of the body and perversion of voice re. performance Mass for Pre-elections Silence)
• Ana Vujanović: Critical Diary of Slovene Dance Biennial Gibanica 05

The issue is available only in Serbian version.