[(o^o)] PUBLIC DOMAIN AND ITS PERFORMANCES, Aldo Milohnić / public lecture / January 26, 2011, 5 p.m. / MKM, Belgrade TkH and Kontrapunkt, within Deschooling Classroom, presents the seminar and public lecture by Aldo Milohnić, theorist of culture and theatre (Ljubljana). "There is a long history of struggles for preserving public spaces from expansion of corporate capital. What is relatively new, however, is the neoliberal strategy to bypass the public control over the public good by using so called public-private partnership model"...
[(o^o)] Ballettikka Internettikka - "Love Without Mercy" / artist talk / December 11 at 8pm / Cultural centre CK, Skopje Ballettikka Internettikka is a series of tactical art projects which began in 2001 with the exploration of Internet ballet. It explores wireless Internet ballet performances combined with guerrilla tactics and mobile live Internet broadcasting strategies.
[performance] SERIES / Marko Milić / Tuesday, November 9 at 8pm / MKM, Belgrade Focus of SERIES is satisfying desires and their emergence later on…and what can be fanatical then. And dance is not consider here as a collective act, so it is observed in Magacin.
1 poor and one 0 / 1 siromašan i jedna 0
[retrospective] BADco. 10 years / November 1 - December 2010 / different venues, Zagreb BADco. collective from Zagreb celebrates 10 years of existence by organising a retrospective of their performances in November and December
Lala i Ivko
[presentation] KOLOS, DELTA AND EUROPOLIS: THE DAMNED DAM / Lala Raščić / October 19th at 7pm / Mali klub Akademija, Belgrade Lala Raščić’s The Damned Dam is a narrative in progress. This multimedia art project consists of performative research, blog, public events, performances, video installation, documents, illustration and publication. During September, October and November project will be produced and realized in a form of series of public presentations.
[festival] LocoMotion 3: Space for Dialogue / October 15-23 / Skopje Locomotion 3 under the title ‘Space for dialogue’ this year emphasizes the need for discourse on the scene between authors, actors, stage, public as well as those who come to a decision for the development of the arts.
Miško Šuvaković, EPISTEMOLOGY OF ART

Knjigu prof. dr Miška Šuvakovića "Epistemology of Art: critical design for procedures and platforms of contemporary art education" u izdanju TkH, TQW, PAF i APT (2008) ovde možete skinuti u PDF formatu. Knjiga je objavljena pod Creative Commons licencom Nekomercijalno - Deliti pod istim uslovima.

Andrew Hewitt: Choreography is a way of thinking about the relationship of aesthetics to politics Frakcija: The key concept and the title of your book is “social choreography” and you use it in relation to both dance and the aesthetic of everyday movement. How do you frame that concept and how is it related to choreography as artistic practice? Andrew Hewitt: My methodology of “social choreography” is rooted in an attempt to think the aesthetic as it operates at the very base of social experience.
THE EMANCIPATED SPECTATOR I gave to this talk the title: «the emancipated spectator». As I understand it, a title is always a challenge. It sets forth the presupposition that an expression makes sense, that there is a link between separate terms, which also means between concepts, problems and theories which seem at first sight to bear no direct relation on each other.
FROM BIOPOLITICS TO NECROPOLITICS Intentions of this lecture are: to situate from which point I am talking and to bring into the story new positions of theory, knowledge and analysis; to differentiate in- between biopolitics and necropolitics; to take into an analysis an art performative project produced in Slovenia in order to see if contemporary art services necropolitics; to see the linking of necropolitics and neoliberal capitalism and the relation toward institutions of art and culture...
A LECTURE [about improvisation as performance] This will be about the conditioning and the conditions for improvisation as performance. I won’t talk about improvisation as a technique to create new movement, or as a technique to free the body from habitual movement patterns, or as a technique in contact improvisation to explore movement by physical contact.
TOWARDS THE TECHNO-HUMANITIES: A Manifesto THE CREATIVE ASPECT OF THE HUMANITIES has not yet found its recognition in the established classification and methodology of scientific disciplines. Are the humanities a purely scholarly field, or should there be some active, constructive supplement to them? We know that technology serves as the practical extension ("application") of natural sciences and politics as the extension of social sciences.
[call for applications] SCOTT DELAHUNTA - Workshop With Choreographic Objects / deadline: 25.11.2010. / CDU, Zagreb The focus of this workshop will be on creating with, writing from, studying and critiquing the research products of four unique interdisciplinary research projects initiated by contemporary choreographers Wayne McGregor, Siobhan Davies, William Forsythe and Emio Greco | PC.
[Call for plays] Anthology of Plays related to war and conflict zones / deadline: 1.12.2010. / University of Manchester In Place of War invites submissions for an anthology of plays related to war and conflict zones from across the globe. Works should focus on responses to conflict, historical memory, displacement, experiences of refugees and asylum seekers, conflict resolution, peace, transitional justice and reconciliation.
[call for applications] PACT Zollverein: IMPACT10 / deadline: 15. 10. 2010. / Germany For the sixth time in succession, the transdisciplinary symposium IMPACT invites artists, practitioners theorists and advanced students in the fields of dance, theatre, visual arts, new media and film to take part in a critical discussion of artistic strategies and working methods presented by prominent guest artists.IMPACT encourages its participants to test the premises introduced by these artists in action and examine them in relation to their own backgrounds.
[call for applications] Theatre Lab at The Banff Centre - Sundance Institute / deadline: 8.10.2010. / Canada The Sundance Institute Theatre Lab is a three-week play development retreat and in 2011 will be held at The Banff Centre in Alberta, Canada. In The Banff Centre's powerful mountain setting in the heart of Banff National Park, exceptional artists and leaders from around the world create and perform new works of art; share skills and knowledge in an interdisciplinary environment; and explore ideas and develop solutions in the arts and leadership.
[call for applications] PROGRAM IN CHOREOGRAPHY MA, 120 HP / deadline: 01/04/2010/ Stockholm The University of Dance and Circus are happy to announce the possibility to, on short notice, welcome two new students to join the present group of five students. Due to special events two additional positions at the program for choreography MA, University for Dance and Circus have been made possible for immediate application and start due the 19 April 2010.
[registration] SYMPOSIUM SCENOGRAPHY EXPANDING 2: ON ARTISTS/AUTHORS IS OPEN / deadline: 15/3/2010 / Belgrade Who are the artists and teams responsible for creating contemporary scenographies in theatre, performance, architecture, exhibition, installation, and media? Is and/or how is the trans-disciplinary nature of scenographic teams reflected in the theoretical discourse on scenography? When does audience become a co-creator? When does a curator become a co-creator?
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