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The focus of this workshop will be on creating with, writing from, studying and critiquing the research products of four unique interdisciplinary research projects initiated by contemporary choreographers Wayne McGregor, Siobhan Davies, William Forsythe and Emio Greco | PC.

In Place of War invites submissions for an anthology of plays related to war and conflict zones from across the globe. Works should focus on responses to conflict, historical memory, displacement, experiences of refugees and asylum seekers, conflict resolution, peace, transitional justice and reconciliation.

For the sixth time in succession, the transdisciplinary symposium IMPACT invites artists, practitioners theorists and advanced students in the fields of dance, theatre, visual arts, new media and film to take part in a critical discussion of artistic strategies and working methods presented by prominent guest artists.IMPACT encourages its participants to test the premises introduced by these artists in action and examine them in relation to their own backgrounds.

The Sundance Institute Theatre Lab is a three-week play development retreat and in 2011 will be held at The Banff Centre in Alberta, Canada. In The Banff Centre's powerful mountain setting in the heart of Banff National Park, exceptional artists and leaders from around the world create and perform new works of art; share skills and knowledge in an interdisciplinary environment; and explore ideas and develop solutions in the arts and leadership.

The University of Dance and Circus are happy to announce the possibility to, on short notice, welcome two new students to join the present group of five students. Due to special events two additional positions at the program for choreography MA, University for Dance and Circus have been made possible for immediate application and start due the 19 April 2010.

Who are the artists and teams responsible for creating contemporary scenographies in theatre, performance, architecture, exhibition, installation, and media? Is and/or how is the trans-disciplinary nature of scenographic teams reflected in the theoretical discourse on scenography? When does audience become a co-creator? When does a curator become a co-creator?

We would like to invite you to apply for the 14th International Festival of Choreographic Miniatures, a competition for contemporary dance choreographers, which will be held 11th-15th May, 2010. in the National Theater, Belgrade...

The Robert Bosch Stiftung invites selected German speaking fellows from Central, Eastern and Southeastern Europe to Germany for a thirteen-month course qualifying them in international cultural management.

SEAD seeks a highly motivated and experienced teacher for the contemporary / choreography department to join the team.

The questions we ask are simple: Does theatre has the power to make a change? If so, do students recognize it? Are they willing to use it? Is there a need to use it? What can we learn from other artistic practices?