u procesu...

TkH and Kontrapunkt, within Deschooling Classroom, presents the seminar and public lecture by Aldo Milohnić, theorist of culture and theatre (Ljubljana). "There is a long history of struggles for preserving public spaces from expansion of corporate capital. What is relatively new, however, is the neoliberal strategy to bypass the public control over the public good by using so called public-private partnership model"...

Ballettikka Internettikka is a series of tactical art projects which began in 2001 with the exploration of Internet ballet. It explores wireless Internet ballet performances combined with guerrilla tactics and mobile live Internet broadcasting strategies.

Focus of SERIES is satisfying desires and their emergence later on…and what can be fanatical then. And dance is not consider here as a collective act, so it is observed in Magacin.

BADco. collective from Zagreb celebrates 10 years of existence by organising a retrospective of their performances in November and December

Lala Raščić’s The Damned Dam is a narrative in progress. This multimedia art project consists of performative research, blog, public events, performances, video installation, documents, illustration and publication. During September, October and November project will be produced and realized in a form of series of public presentations.

Locomotion 3 under the title ‘Space for dialogue’ this year emphasizes the need for discourse on the scene between authors, actors, stage, public as well as those who come to a decision for the development of the arts.

The conceptual background of this years' festival "Between Past and Future" relates to the eponymous book by Hannah Arendt who, back in the 1960's, argued that the condition of human existence, robbed of the traditional, transcendental, religious and moral standards employed to bridge the abyss between past and future, lost direction.

On the subject of T.I.M.E, German musician (Fello) and 5 Macedonian performers who collaborated for 4 days developed a work in process. This performance, a border-crossing cooperation project is set on the edges of contemporary dance and digital music.

Dragana Bulut and Milka Djordjevich amplify the artifice of performance in order to reveal the generic character of contemporary dance and the larger system from which it is produced. They work with marginalized performers, whose inability to escape the pretense of performance is magnified, as their endeavor in moving produces a futile result. Does this signal a time for change, or is it just a soundscape for revolution?

SEMI-INTERPRETATIONS or how to explain contemporary dance to an undead hare ************** Semi-inspired by work of: Joseph Beuys, Francoise Delsarte, Steven Shaviro, Bruno Latour and Graham Harman