theory

In order to write about the actual situation of contemporary dance in Serbia, I must begin by conceptualizing and contextualizing the local dance scene through its synchronic relationship with neighboring scenes and other European or Western scenes. As contemporary dance is a new phenomenon in Serbia, there are two problematic theses that I would like to put forward as starting points.

One of the first comments I could call out after the performance of The Theatre of Repetitions was: finally! Finally an event where music and theatre engage on an autonomous third plane of philosophy, saved from the obsessive search for a suitable Musik+Theater relationship whereby the capacity for representation in music traditionally is weighed against theatrical staging.

When Marx undertook his critique of the capitalistic mode of production, this mode was in its infancy. Marx directed his efforts in such a way as to give them prognostic value. He went back to the basic conditions underlying capitalistic production and through his presentation showed what could be expected of capitalism in the future. The result was that one could expect it not only to exploit the proletariat with increasing intensity, but ultimately to create conditions which would make it possible to abolish capitalism itself.