[poziv za prijave] RADIONICE EKSCENE: Frédéric Gies (Berlin) + André Lepecki (New York) / Zagreb

ekscena
Dezelicev prilaz 26│10 000 Zagreb
www.eks-scena.hr

Nakon uspjesno realiziranog EPDS i TRANSWARP programa majstorskih radionica i gostujucih predstava Lito Walkey i Jonathana Burrowsa, program Eksperimentalne slobodne scene u 2009.godini nastavljamo gostovanjima Frédérica Giesa i André Lepeckija te najavljujemo artist-in-residence program 2009 u suradnji s Isabelle Schad i Ivanom Mueller.

Obavijestavamo Vas da su rezervacije za majstorske radionice Frédéric Gies i André Lepecki jos uvijek otvorene te Vas pozivamo da sudjelujete u programu.

Prijave zajedno s Vasim CV-om molimo poslati na kontakt mail: mail-to-eks@mi2.hr
Kotizacija za sudjelovanje u radionici iznosi 100 kn i predstavlja rezervaciju mjesta te garanciju dolaska na radionicu.

Za sve detaljnije informacije o programu, molimo obratite se programskim koordinatorima ili nam napisite mail.

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EPDS i TRANSWARP 2008/2009 Programski koordinatori: Selma Banich, Sandra Banic Naumovski, Maja Marjancic, Zeljka Sancanin i Zrinka Uzbinec

EPDS i TRANSWARP 2008 su podrzani od strane Ureda za obrazovanje, kulturu i sport grada Zagreba.

EPDS program i TRANSWARP fondacija dio su Radne platforme ekscene. Radnu platformu ekscene podrzao CeKaO Zagreb.

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EPDS i TRANSWARP PROGRAM

Frédéric Gies // Berlin
Dance (Praticable)
EPDS - MAJSTORSKA RADIONICA
09 -14 / 02 / 2009

Frédéric Gies is choreographer and dancer. He is part of the collective Praticable. His recent pieces are "Dance (Praticable)" (solo version in 2006, group version in 2008), "Still Lives" in collaboration with Manuel Pelmus, Bruno Pocheron <http://www.isabelle-schad.net/> and Isabelle Schad <http://www.isabelle-schad.net/>(2006) and "The Breast piece (Praticable)" in collaboration with Alice Chauchat<http://www.theselection.net/dance> (2007).He is currently working on a new project: "Album (Praticable)". His work focuses on the politics of representations of the body and is grounded in body practices and researches on the origins of movement. For further informations: www.praticable.info

Workshop with Frederic Gies // Dance (Praticable)
The workshop will consist in the transmission of an excerpt of the score of "Dance (Praticable)", a piece that can be danced in solo, or in goup. The activity that generates movement and choreography in the score is based on particular body practice and way of initiating movement. Thus, an important part of the time will be focussed on this practice. Interpreting the score allows the interpreter to become co-author of the choreography. The excerpt will be performed by the participants at the end of the workshop. The score is available online at: www.dancepraticable.net

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14 / 02 / 2009 // 20:00 Galerija SC
TRANSWARP – GOSTOVANJE
Dance (Praticable) // Frederic Gies

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André Lepecki // Rio de Janeireo-New York
GROUNDS OF PERFORMANCE II : clatter, delay, object
02 – 05 ili 09 – 12 / 03 / 2009
EPDS – MAJSTORSKA RADIONICA

Workshop GROUNDS OF PERFORMANCE II investigates in 3 days, 3 under-theorized topics / elements that have characterized performance art in its propositions for an alternative aesthetics and an alternative politics of the body: clatter, as an eruption of the concrete; delay, as a short-circuiting of presence; and object, as an accumulator of time. The workshop will consist of several different approaches to the topic and will be based on readings such as: philosophy (Bergson, Deleuze); art history (Fried; Krauss); performance studies (Fred Moten); psychoanalysis (Wilhelm Reich; Freud; Lacan)

André Lepecki is a curator, dramaturg, writer, and co-creator based in New York City. BA in Cultural Anthropology, Universidade Nova de Lisboa, MA and PhD degrees from NYU (Performance Studies). Currently he is Associate Professor in Performance Studies at New York University, where he teaches courses on critical theory, continental philosophy, performance studies, dance studies, and experimental dramaturgy. In the 1980s and ‘90s, Lepecki was dramaturg for choreographers Vera Mantero, João Fiadeiro, Meg Stuart, and Damaged Goods. He contributes regularly for several art publications in the US, Brazil, and Europe, including TDR: the journal of performance studies, Art Forum, Performance Research, Contact Quarterly, Theaterschrift, and Nouvelles de Danse, among others. He has co-directed video-installations with Bruce Mau and Rachael Swain, created a performance series with Eleonora Fabião, and curated dance events in Berlin. He is author of Exhausting Dance: performance and the politics of movement (Routledge 2006) and editor of the anthologies Of the Presence of the Body (2004), The Senses in Performance (with Sally Banes; 2006), and Planes of Composition: Dance, Theory, and the Global (with Jenn Joy; forthcoming Seagull Press 2009). He has recently edited an issue of Performance Research "On Choreography" (March 2008), and is a member of the editorial boards of Performance Research, Dance Theater Journal, Inflexions and E-mispherica. His current research focuses on the relationships between dance, philosophy and sculpture. He has received grants from the Gulbenkian Foundation, the Luso-American Foundation, the Rockeffeler Foundation at the Bellagio Research Center, and in the Spring of 2009 he will be a Resident Research Fellow at the International Research Center Interweaving Performance Cultures at the Freie Universitat, Berlin. He is currently "Permanent Fellow" and the curator of the festival IN TRANSIT at Haus der Kulturen der Welt between 2008 and 2010.

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