zagreb_scene

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:: Frakcija
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Frakcija, Performing Arts Magazine, was established ten years ago by a group of dramaturgs, theatre theoreticians, critics and artists based in Zagreb. From its first issue FRAKCIJA has been providing a theoretical and critical support for projects that were of marginal interest to the (not only Croatian) mainstream media, theatre criticism and official drama and theatre studies.


[konferencija] Performance Studies International #15 / 24-28. 06. 2009. / Zagreb


15. konferencija Performance Studies International (24-28. 06.)najveća je međunarodna konferencija iz područja humanističkih znanosti ikad održana u Hrvatskoj. Osim po veličini, intrigantnoj temi «Kriva izvedba / Misperformance» te činjenici da uz znanstveni ima i opsežan izvedbeno-umjetnički program, bit će posebna i otvorenosti prema širokoj javnosti.

[nova izođenja] Predstava PROCESS_IN_PROGRESS / Bacači sjenki / Zagreb-Sarajevo


Jedna od osnovnih ideja ovog projekta je obnova bojnog polja - redefiniranje teritorija Kafkinog "metafizickog" ostranjenja unutar konkretnih politickih i filozofskih postavki kojima se on bavio cijelog zivota. PROCESS_IN_PROGRESS je adaptacija cjelokupnog Kafkinog romana uoblicena u VJ operu-performans, u kojoj su suceljeni zivi mediji glumca i videa.

[open call] CRIME, SEXUALITY AND GENDER – QUEER ZAGREB, October 2008

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Crime, sexuality and gender are issues that we would like to explore within the frames of our festival. We are interested in wider definitions of crime (in relation to sexuality and gender) which would go beyond the regular time / geography frame as well as beyond concentration solely on the victims – whose destinies leave them displaced, murdered, raped, tortured, killed.

[performance] MEMORIES ARE MADE OF THIS / 16.05.2008. / Puppet Theater, Ljubljana

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Borrowing the title from the famous Dean Martin song, this notebook-like performance explores the mechanisms of forgetting, emotional consumption and remembering moments and spaces that have been evacuated or that were never there.

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