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Editors: Bojan Đorđev, Miško Šuvaković, Ana Vujanović
CONTENT
THEORY: DIGITAL PERFORMANCE – THEORETICAL NETWORKING
Miško Šuvaković: Becoming Machine; From theory to philosophy of digital art, theatre and performance … and back
Aleksandra Jovićević: From the Über-Marionette to Neuromancer; A brief review of the deployment and development of technology in the 20th-century theatre
Bojana Kunst: Wireless Connections: Attraction, Emotions, Politics | trans. Vesna Perić
Ana Vujanović: Internet Theatre – A Tiger’s Leap into (Theatre) History
Marina Gržinić: Technology, Performativity: Time of Theatre | trans. Maja Pelević
Jelena Novak: Opera in the Age of its Electronic/Digital Reproduction
Kurt Vanhoutte: Prosthetic Gods | trans. Jelena Janković
Helen Varley Jameison, Tanja Marković: X (Body + Avatar) = Cyberformance; X = Collision? (discussion)
Igor Štromajer, Ana Vujanović: Love Without Mercy(discussion)
TRANSLATIONS
Jacques Derrida: Salve (Post-Scriptum at a Bad Timeing, Due to Final Polishing) | trans. Sanja Milutinović Bojanić
Mladen Dolar: If Music Be Food of Love… (3) | trans. Tatjana Marković
WORKING THEORY: SCREEN AS SCENE
Bojan Djordjev: Introduction
Sanja Milutinović Bojanić, Michael Joyce: One more Trap. In Place of Performance the Code of Performance
Auracle Creative Team: Dossier Auracle; and Chandrasekhar Ramakrishnan: What did Computer Teach me about Epistemology | trans. Bojan Djordjev
Claudia Hardi: James Kibo Parry & Associates – an Internet Travelogue
Maja Pelević: Cyberchick VS. Real Time
Jill Walker: Recension: Or Press Escape, Edit Kaldor | trans. Bojan Djordjev
Bojan Djordjev, Aleksandra Jovanić, Ana Vujanović:Dossier of Digital Theatre Project Psychosis and Death of the Author – Algorithm: YU03/04.13
Siniša Ilić, Ana Vujanović: In Search of the Lost Guilt
DISCUSSIONS: PHILOSOPHY – THEATRE –THEORY: NOW!
Ana Vujanović, Miško Šuvaković: On 37th BITEF Symposium
Jovan Ćirilov: Lucky, Think! (introduction)
Nikolay Goranov Iordanov: Postmodern Theatricality| trans. Vlatko Ilić
Nenad Prokić: Big Factories Served for Nothing
Nadežda Čačinović: Spectacle and Fiction
Miško Šuvaković: Controversies Around Philosophy, Theatre and Theory of Culture
Bojana Kunst: Strategies of Self-performance: on Self and Contemporary Performance | trans. Ana Vujanović
Novica Milić: Dramatisation as Method (Nietzsche Directs Plato)
Aleksandra Jovićević: The Latest Thing on Brecht; Brecht against brechtology, notions of naïvety and travesty
Bojana Cvejić: Theory in Contemporary Dance; Monstration of event in place of good subject of dance
Ana Vujanović: On Transition from Philosophy to Theory, on Uncertain Relations of Theatre and Theory, and on Enjoying and Fear of Performing in Philosophy, Theatre and Theory
The issue is available only in Serbian version.
