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Editors: Bojan Đorđev, Miško Šuvaković, Ana Vujanović
CONTENT
Ana Vujanović: Dogma 05 – Film as Performance
THEORY: FILM AS PERFORMANCE
Miško Šuvaković: Performing Hybrid Effects of Theory through Film: Non-transparent contrasts, incidental shadows and uncertain promises
Nevena Daković: (A) Land (in the) South/Southeast
Marina Gržinić: Shaping and Challenging (Documentary) Meaning in Artwork | trans. Tatjana Orbović
Djordje Bajić: Dogma 95: Film Acting and Performing
Vesna Perić: Performing Sex and Gender in Film; High priestess of the cyber Pantheon
Bojana Kunst: Virtual Political Parliament | trans. Vesna Perić, Vlatko Ilić
Saša Radojević: State Film South Southeast
Marina Gržinić, Ana Vujanović: “It’s not Red, it’s Blood!” (discussion)
VISIT TO THEORETICAL BLOCK
Rufo Caballero: Narration and the Future of Cinema| trans. Miljana Perić
WORKING THEORY
Miško Šuvaković, Ana Vujanović: Gazes of(for) RB
Marta Popivoda: Proposition for Work X 1 – 7
Aleksander Bender: Story and Requests for Subjectivity, and Siniša Ilić: Other Version
Maja Pelević: Post-script for a Short Film about the Mute Woman.doc
Maja Mirković: On Film and Falling in Love
DISCUSSIONS
Bojana Cvejić, Ana Vujanović: Open Work – Does it Deserve Theory Today?
CRITIQUE
Bojan Djordjev: Belgrade + Regional Dance and Theatre Scene 2004/05 (introduction)
Maja Mirković: PRO TOOLS: Contemporary dance, today, Europe (see under: choreography)
Irena Šentevska: Who will Knead Fog and Clouds into Hamburger? (New repertory politics of little theatre “Duško Radović”)
Anja Suša: From Obsession to Need. And Back. Few Sweaty T-shirts by Dušan Murić
Marija Skoko: Next Step – The Step Closer; Every similarity to real people and events is intentional…
Marta Popivoda: 00 tableau Critic: Actress (Work) in Progress
Bojan Djordjev: ‘Realisms’ against ‘Realism’; Three directions by Anja Suša
Miloš Lolić: Text Means Fabric (About/post/dramas of Katarina Zdjelar)
Vlatko Ilić: Slam Excess of the Bogavac Sisters; Theatre: TRUE or FALSE
Ana Vujanović (ed): Programme of International Contemporary Dance Workshops in 4 Steps
VISIT TO THE CRITIQUES
Andrej Mirčev: Polyphonic Bodies of Voices (On erotics of the body and perversion of voice re. performance Mass for Pre-elections Silence)
Ana Vujanović: Critical Diary of Slovene Dance Biennial Gibanica 05
The issue is available only in Serbian version.
